Sound Garden: Ayanna Dozier on The Giverny Document
2020
Analysis on Ja'Tovia Gary's experimental feature, The Giverny Document
Betye Saar Conjures a New Mythology at MoMA
2019
Review of Betye Saar's solo exhibition The Legends of Black Girl's Window at the Museum of Modern Art
#Crucial21DbW: Mahogany Too directed by Akosua Adoma Owusu
2019
Directed by women blog entry on Akosua Adoma Owusu's experimental short Mahogany Too
The Music Video’s Counter-Poetics of Rhythm: Black Cultural Production in Lemonade
2019
Chapter 20 in The Routledge Companion to Global Television edited by Shawn Shimpach
Heartbreak/Who Gets to Be Remembered: Black Women in and Around the Archives
2019
Feature examining heartbreak as a methodological practice in Black archives
Wayward Travels: Racial Uplift, Black Women, and the Pursuit of Love and Travel in Torchy in Heartbeats by Jackie Ormes
2018
Peer-reviewed academic article for Feminist Media Histories Journal
Fucking Whiteness: Orientations, Desire, and Race in Camille Billops's Docu-Fantasy The KKK Boutique Ain't Just Rednecks
No happy returns, aesthetics, labor, and affect in Julie Dash's experimental short film Four Women (1975)
2017
Peer-reviewed academic article for Feminist Media Studies Journal
Structures de sentiment: La mélancolie, le mouvement, et l'espace publique
2017
Feature on colonial melancholy as expressed in social spaces like the movie theater (French)
Un article sur la mélancolie coloniale et l’affect dans le théâtre dans Montréal
Black Women and the Edit of Shame
2017
Analysis of Alile Sharon Larkin's experimental short film The Kitchen (1975) for cléo journal
There are certain facts that cannot be disputed, Performa Response
2015
Performa review for Juliana Huxtable's There Are Certain Facts that Cannot Be Disputed performance at Performa 15