September 26th-October 12th

It's Just Business, Baby (2023) will play in program 2 of CROSSROADS 2024 Online Echo from September 26th through October 12th for free.

The CROSSROADS 2024 online echo presents deep cuts and festival favorites remixed and distilled from the far-reaching 75-film festival into two concise programs, streaming to homes and phones around the world. Online program 2—the haunted sprawl—wefts luminous explorations of the haunted metropolis with expressions of familial distance, memory and intimacy in the face of the increasingly virtual before reaching a stirring and elegiac conclusion.

SCREENING:
to open a window (2023) by Craig Scheihing (US); 16mm, color, silent, 2 minutes.
Feather Family (2023) by Alison Folland (US); digital video, black & white, sound, 5 minutes.
Hey Sweet Pea (2023) by Alee Peoples (US); 16mm, color, sound, 11 minutes.
The San Francisco Art Institute (A Ghost Story) (2024) by Dominic Angerame (US); digital video, b&w, sound, 9 minutes.
Foot to Ground (2024) by Christopher Thompson (US); digital video, black & white, sound, 9 minutes.
It’s Just Business, Baby (2023) by Ayanna Dozier (US); digital video, color, silent, 6 minutes.
why i never became a driver (2023) by Yuula Benivolski (Canada); digital video, color, sound, 12 minutes.
Ripple Effect (2024) by Niyaz Saghari (UK); digital video, black & white, sound, 9 minutes.
TRT: 62 minutes

October 4th-April 25th

Forever Your Girl is included in the "American Gurl" exhibition, co-curated by Zehra Ahmed and Kilo Kish, at the Harvey B. Gantt Center in North Carolina.

American Gurl is an ongoing curatorial project featuring work that explores all shades of American dreaming. This installment of the project will take shape as a film exhibition at Harvey B. Gantt Center for African American Arts + Culture that will present eight films by intergenerational artists with curiosity around the perspectives and nuances within the Black feminine experience and our relationships with beauty, success, freedom, and power in America. American Gurl is presented in collaboration with Womxn in Windows, a platform whose mission is to share the perspectives of women of color through video, art, film, and performance.

August 31st 3:30 PM (PST)

Two films from the "It's Just Business, Baby" trilogy of shorts will screen at the forthcoming edition of CROSSROADS in San Francisco. Bounded Intimacy (2024) and It's Just Business, Baby (2023) will have its world and Bay area premieres respectively in the fourth program: obscured by clouds on August 31st at 3:30 PM at the Gray Area Grand Theater.

2665 Mission Street

July 26th-August 13th

Screening part of VERBATIM before FIRES IN THE MIRROR.

This film series focuses on a very particular technique that filmmakers and screenwriters have adopted on rare but almost inevitably indelible occasions: drawing the dialogue or onscreen text verbatim from various written documentary materials – transcripts of interviews, cockpit voice recorders, public hearings, or (most often) trials. By incorporating these preexisting, documentary transcripts into fictionalized or re-staged contexts.

Image: Vincent Gallo's Sperm, 2022

July 24th 7PM (EST)

Let's Make Love and Listen to Death from Above (2022) will screen as part of Alfreda's Cinema program Heartbreak Church, an evening of screenings and talks inspired by bell hooks. The evening will conclude with a talk with Dr. Raquel Gates and Melissa Lyde.

Brooklyn Arts Music, Rose Cinemas

July 20th 7PM (PST)

Gravitational Lensing: Feminist Film Dialogues is a film series curated and organized by Amy Reid and Kathleen Quillian with the help of an international advisory board. The series is dedicated to exploring the visions, voices, concerns and lineage of women, non-binary, genderqueer and trans filmmakers through public film screenings, workshops, conversations and presentations.

Program 2: Self as Social Construct includes: Softer by Ayanna Dozier, Reinventing the Wheel by Elena Knox, Free, White and 21 by Howardena Pindell, Forward Fast by Lorraine Sovern, Picturing Oriental Girls: A (Re) Educational Videotape by Valerie Soe, Venus in Ferns by Laura Conway, Fragile by Sasha Waters, Matchbox by Jennifer Cabral, Mirror, Mirror by Jan Krawitz, Flower Eater by Heather Brown, Beauties by Lisa Marr and Women by Connie Beeson.

Shapeshifters Cinema, 567 5th St., Oakland, CA

Image: Softer still, 2020

June 8th-June 30th

All Street Gallery (New York, NY) is pleased to present Autonomy – a group exhibition of artworks by Ayanna Dozier, Christl Stringer, Emma Kanne, K Sarrantonio, Lydia Nobles, and Thank God for Abortion. On view from June 8 - 30, 2024, the show explores the intersection of bodily autonomy, reproductive rights, and queer rights. Through a diverse range of mediums and perspectives, the featured artists confront and challenge conventional narratives surrounding sexuality, gender, and reproductive rights, advocating for a more expansive and fluid approach to agency and choice.

Image: I Took Your Fuck Personally (2022)

PENUMBRA FOUNDATION IS PLEASED TO ANNOUNCE THE 2024 WORKSPACE PROGRAM ARTISTS:

New York City-Based Artists:

Ayanna Dozier
Cheryl Mukherji
Jeanette Spicer
US-Based Artists:

Cali Banks
Ryan Frigillana
Aaron Turner

Image: Ayanna Dozier, génuflexions, 2024

May 29th 1PM (EST)

Convened as part of a series of conversations revisiting the Vera List Center’s 2022 publication ‘Studies into Darkness: The Perils and Promise of Freedom of Speech’, this program will explore how the aberrant image unlocks a surveillance “sight-based” discourse, connects related histories of exploitation and resistance, and contends with questions of sovereignty, solidarity, and criminality. Examining artworks by Dozier and Jeffereis, the conversation will consider the archive’s relationship to surveillance, and how the aberrant image opens up speculative possibilities and discourse for evasion from institutional ownership.

May 9th 2:30PM-3:30PM

Film Comment Live: Writing About Experimental Film part of Wave 1: Program 2 of 2024 Prismatic Ground Festival with Devika Girish, Clinton Krute, Ayanna Dozier, Amy Taubin, Genevieve Yue at DCTV Firehouse Cinema, 87 Lafayette St., NY

May 20th 6PM-9PM

Sex Ed is a three-week intensive designed to create the sex education we never had, but always sought. Organized by SFPC Co-Directors Melanie Hoff and Neta Bomani, with the support of Assistant Teacher Bitter Kali, Sex Ed will cover topics such as the cybernetics of sex; queering consent; BDSM communication structures; polyamory 101; surveillance and sex work; denouement as desire, and more!
𓂃 ࣪˖
Located in-person @CreativeTime & @HexH0use
𓂃 ࣪˖ Surveillance and Racial Reproductive Control co-taught by Ayanna Dozier and Gabriella Garcia

Design by @xsainte

April 6th-June 1st

Honor Fraser is pleased to present "Erotic Codex," a group exhibition that surveys the liberatory affordances of sex, and the erotic devices that artists use to harness power in an evolving digital landscape. Featuring fifteen artists who embrace the body as a site for rupture, rapture, and reconciliation, the exhibition asks how emerging technologies reconfigure cultural norms around sex, just as they shape the political impact of sexuality at home and in public. In turn, Erotic Codex illuminates the entangled ways that we understand intimacy, artificiality, and our own bodies through the prolonged relationships we share with the technological objects at hand.

Co-curated by Alice Scope and Jamison Edgar at Honor Fraser Gallery, Los Angeles, CA

April 26th-27th

Nightwalker (2022) will have its world premiere at the Milwaukee Underground Film Festival on Friday, April 26th. A Picture for Parco (2022) will also play at the festival on Saturday, April 27th.

Both screenings will take place at Company Brewing, 735 E Center Street, Milwaukee, WI.

still from Nightwalker | 2022 | Super 8 color on 16mm print | 7 mins

August 30th-October 11th

PLATFORM centre and WNDX festival of moving image are thrilled to co-present the first Canadian solo exhibition of works by Ayanna Dozier curated by Sarah-Tai Black.

Touch Me On The Inside And Call Me By My Name brings together new and recent film, text, and installation work that builds on Dozier’s practice of locating the body as an oft-contested site of pleasure, labour, and care. Largely utilizing tactile, analog processes, Dozier offers the personal, the intimate, and the embodied as public record. Here, the body is an index of the ways in which white supremacy has precluded collective care from intimacy, engaging with the body and self as a means of governance, dispossession, and surveillance. Drawing its name from Dozier’s citational titling of her photographic work, the works in this show render power and intimacy as a complex entanglement that affects a multiplicity of experience over time and space.

Installation Image by Daisy Wu, 2023

As part of Prismatic Ground festival selections, Maman Brigitte is available to stream on The Criterion Channel through 2027.

Maman Brigitte stitches together the intimacy of a private ritual involving the Voodoo Ioa Maman Brigitte with the sound of the body (spitting, running, vomiting, etc.). These "interior" corporeal practices are juxtaposed against sweeping landscapes to draw out film/ritual's capacity to make the hidden manifest.

still from Maman Brigitte | 2021 | Super 8 color and b&w | 3 mins

June 27

A Panel Discussion on The Gaze in Sex Worker Art

We invite you to join Veil Machine for our panel, Trick Mirror: Through the Whore’s Looking Glass, featuring Natasha Gornik, Ayanna Dozier, Gabriella Garcia, and Monika Rostvold.

June 24th-July 30th

Womxn in Windows presents "American Gurl," an ongoing curatorial project that showcases video art, film, and performance to unpack and re-envision the American Dream through the lens of women. Co-curated by Zehra Zehra and Kilo Kish, this iteration of the American Gurl project takes its shape as a group film exhibition at Hauser & Wirth, Los Angeles.

The films are exhibited in the following order on a loop:

Kilo Kish, Death Fantasy, 2:10 min
Lorna Simpson, The Institute, 5:13 min
Savanah Leaf, run, 9:06 min
LaJuné McMillianin collaboration with Marguerite Hemmings, Antidote, 21:38 min
Carrie Mae Weems, Afro-Chic, 5:00 min
Ayanna Dozier, Forever Your Girl, 7:35 min
Ja’Tovia Gary, Quiet As It’s Kept, 26:00 min
Martine Syms, Meditation, 4:19 min

Via Microscope Gallery news: Nightwalker (2022) has been acquired by the Whitney Museum of American Art for its Permanent Collection.

“To be a woman who walks alone at night then is an anomaly for women who walk at night are systemically associated with sex work by state and city laws. These ‘nightwalker’ codes disproportionately target Black femmes or women who ‘make a display’ by wearing clothing that can be deemed risqué by an arresting officer. In Nightwalker (2022), I play with the ambiguity of a stylish woman walking the streets of New York’s Lower East Side. By having the camera follow my body, I aim to draw attention to how the surveillance eye overlaps with the gaze of a potential predator. The film is ambivalent as to whether or not the character is a sex worker and is more interested in the violence, both institutional and personal, that shrouds women walking alone at night.” - Ayanna Dozier

still from Nightwalker | 2022 | Super 8 color on 16mm print | 7 mins