Press

2025 Intimate Exchanges: The Films of Ayanna Dozier by Hannah Bonner

2024 In Review CROSSROADS 2024: Winds of Change by Michael Sicinkski

2024 48hills Dive Into the Experimental Bounty of CROSSROADS 2024 by Jesse Hawthrone Ficks

2024 Screen Slate Crossroads 2024 by Hannah Bonner

2024 PLATFORM CENTRE Melancholic Pleasure: Exhibition Response by Mahlet Cuff

2023 LA Weekly Video Art by Women of Color: American Gurl Wakes up from the American Dream

2023 The Washington Post Exploring New Methods of Image Transformation

2023 Film Comment Dig for Fire: Pismatic Ground 2023

2023 The New York Times What to See in N.Y.C. Galleries in February

2023 Brooklyn Paper New BRIC art exhibit explores the mythos of the American dream

2022 Hyperallergic In Times Square and Sunset Strip, “American Gurl” Subverts Femininity

2022 Chicago Reader A Celebration of Black Filmmakers at Block Cinema

2022 GIRLS Volume 2, Issue 5 We Can Make Movies Too

2022 Hyperallergic Prismatic Ground Tries to Change the Conversation on Experimental Documentary

2021 Pollinate 3 Interviews: The Shed Open Call With Bessie Rubinstein

2021 The Shed A Dream, Unarchived

2021 Untapped New York NYC Closed Down A “Negro Coney Island” Two Weeks Before Opening Day

2021 News 12 The Bronx Fordham Professor Shows Work at The Shed's 'Open Call' for Artists

2020 NME The 20 Best Music Books of 2020

2020 Brooklyn Rail Abstraction in the Black Diaspora Review

2020 LitHub 12 Books You Should Read in September

2020 360 Sound Author Ayanna Dozier on Janet Jackson’s The Velvet Rope

2020 Hyperallergic Black Artists Claim Their Birthright of Abstraction

2020 The Monthly Hello Nasty, Janet Jackson's Sound of Rebellion

2020 Filmotomy FemmeFilmFest20 Day Three Showcase: Softer Director Ayanna Dozier